Welcome to EVERYTHING SPINS

Hello, you who somehow found your way here. Everything Spins is a music review site dedicated to the musings and the music collection of one man hopelessly bound in nostalgia, still clinging on to his CDs and his ca. 2000s web design. In this site I'm slowly building a catalogue of reviews across the various albums I own in one way or another - mostly in form of physical silver discs. The reviews here are by no means anything close to objective, and they heavily reflect my own personal biases and my personal journeys with these artists and songs, ranging from contextual analyses to personal diary entries as and when it's appropriate - but hopefully still informative for those readers who may be curious about particular artists or simply wish to know why I disagree with whatever canon opinion I choose to challenge at any given time.

I do not have a set schedule for my reviews but I hope to update this regularly enough.

Thank you for taking interest!

Latest updates:
14/09/25: It's time to start on a brand new 'long discography' project, as I take on the discography of the British anarchist pop iconoclasts Chumbawamba. We begin with the official debut album, the 30-hour anti-colonisation manifesto Pictures of Starving Children Sell Records (1986)
07/09/25: The National return to the stage after COVID to promote their 2023 album duology and proves how vital they are in a live setting, on Rome (2024)
04/09/25: The National surprise everyone with a second album within five months from the previous one, leading to the bolder and looser Laugh Track (2023)
25/08/25: It's time to catch up with The National's busy post-pandemic years, starting with the more rested and mellow sibling of their 2023 releases, with First Two Pages of Frankenstein (2023)
23/08/25: A bit of a site update! For a while now, as the amount of artists featured on this site grows, I've thought that the arbitrary categorisation of the artists in the main index based on their importance ("preference") to me has felt very awkward. Many of these artists have had varying degrees of importance throughout my life and though in some cases I've cooled down on them a bit over the years, the reason they're here to begin with is because at one point I was obsessed about them to one degree or another. So, there's been a revamp. Now everyone has been categorised based on broad categories based on the style, region, scene or sound - which is not a perfect system either, but makes a little more sense to me these days. I hope it is of some use!

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